Monthly Archive: June 2025

The Socialist Anthropocene in the Visual Arts

“Lead, zinc, copper, coal, gold, cadmium, silver, oil, tungsten, corundum, gasoline, nickel, marble, Glauber’s salt [and] phosphorites” flow from Kazakhstan through the “full arteries of railroads,” delivering its “industrial blood” across the Soviet Union “to feed the factories and plants,” before returning “in the shape of airplanes, tractors, excavators, automobiles [and] turbines.” This entry, under the heading “Socialist Metabolism,” appeared in an issue of the showcase journal USSR in Construction devoted to the fifteenth anniversary of Soviet Kazakhstan, cataloging the precious minerals, metals, rocks, and hydrocarbons extracted from the Central Asian republic to supply the expanding socialist industrial complex. In … Read more

Mega-Dams in the Hydrologics of the Socialist Anthropocene

This article considers artworks that recorded the construction of four mega dams in Ukraine, the Caucasus, Central Asia and Siberia between the 1930s and 1960s, which as exemplary hydroforming projects trailblazed the expansion of the socialist developmentalist model to the non-Russian territories of the Soviet Union. As centrepieces of the planned economy, mega dams performed as engines of the expansion of heavy industry, as infrastructural hubs for resource extraction, as drivers of social mobilization, and as markers of the enlisting of nature in the building of the socialist system. State commissioned representations of dam building by Gustavs Klucis, Issak Brodsky, … Read more

“Turksib Was Not Just a Railroad for Me”: Visualizing the Anthropocene as a Transit

This article examines the Turkestan-Siberia Railroad (Turksib) through its visual culture, exploring how film, painting, and print media portrayed its role in reshaping the Kazakh steppe. Analyzing Victor Turin’s Turksib (1929), American maps, Soviet periodicals, and paintings by Victor Ufimtsev and Abilkhan Kasteyev, it investigates how these works framed perceptions of infrastructure and environmental transformation. Situating Turksib within global infrastructural imaginaries and Soviet kolonizatsiya politics, the article interrogates its relation to forced modernization, nomadic sedentarization, and environmental degradation. It argues that Turksib’s visual history aestheticized industrial expansion while desensitizing audiences to its human and ecological costs, solidifying the railroad’s status … Read more

The Avant-Garde of Socialism in the Prehistoric Jungle: The Temporalities of Coal Mining in 1950s Upper Silesia

This article examines the temporal narratives embedded in the artistic representations of coal mining in post-war Poland, specifically focusing on the 1950s Upper Silesian region. By analyzing artworks from the period, including heroic socialist-realist representations of miners and practices of non-professional artists, supplemented by the insights from press, popular literature and documentary film, this article highlights how different cultural expressions engaged with both the prehistoric past of coal formation and the envisioned future fueled by its continuous extraction. The discussed visual sources not only recorded the extractive labor of miners but also shaped ideological narratives of socialist progress, negotiating between … Read more

Chimneys and Electric Wires Conquering the Sky: The Great Transformation of Nature in Socialist Albania

This article examines how socialist realist paintings in Albania depict the transformation of nature during the country’s path to industrialization, revealing both the ideological aspirations and the material realities of socialist modernity. Moving beyond a simplistic reading of these artworks as mere propaganda, the study explores the variation in representations of nature—sometimes tamed, sometimes coexisting, and at times resisting transformation. It argues that these paintings, in their diversity of style and representation, serve as crucial visual records of Albania’s socialist Anthropocene, capturing the ways in which environmental interventions were conceptualized, justified, and emotionally framed within the socialist project. By situating … Read more

Decolonial and Anthropocene Discourses in Contemporary Art of Former Socialist Contexts

This review essay focuses on recent publications that examine the art of former Soviet territories – the book Beginning in the Middle: Conversations on the Post-Soviet (2022), the reader As Though We Hid the Sun in a Sea of Stories: Fragments for a Geopoetics of North Eurasia (2023), and the catalog Art in the Age of the Anthropocene (2023) of the eponymous exhibition –, aiming to understand how the three engage with postcolonial and the Anthropocene discourses. While Art in the Age of the Anthropocene offers an exemplary methodological approach by intertwining both perspectives through a thorough historical examination of … Read more

The Missing Mountain *

An entire mountain vanished in the 1950s in the Western Carpathians of Romania. Its uranium-rich rocks were transported by train to be processed into nuclear fuel in Sillamäe, in the former Soviet Union, now Estonia. Some were converted into nuclear warheads. Following the breakup of the Soviet Union in the 1990s, those warheads were decommissioned and dismantled. Since 1995, the Megatons to Megawatts economic deal between Russia and the United States has transformed nuclear weapons into electricity, illuminating American homes with energy derived from Soviet warheads.This project traces a shared history of extraction, linking distant places and pasts through the … Read more

Sublimating Socialist Construction Through Ink: Introduction to “When Thoughts Change, Brush and Ink Cannot Remain Unchanged”

“When Thoughts Change, Brush and Ink Cannot Remain Unchanged” is an open letter by renowned ink painter Fu Baoshi after his 1960 sketching tour organized by the Jiangsu Chinese Painting Academy. This tour was a pivotal event in integrating traditional ink painting with Socialist cultural production, a response to the ideological demands of the Socialist state following the establishment of the People’s Republic of China. The article highlights the challenges faced by ink artists in adapting to new themes, particularly the depiction of industrial and agricultural subjects, as they navigated the tension between tradition and modernity. It also reveals the … Read more

When Thoughts Change, Brush and Ink Cannot Remain Unchanged

An open letter by renowned ink painter Fu Baoshi after his 1960 sketching tour organized by the Jiangsu Chinese Painting Academy.

ARTMargins, Volume 14, Issue 2, pp. 134-141.

doi:10.1162/artm_a_00418

https://direct.mit.edu/artm/article/14/2/134/131436/When-Thoughts-Change-Brush-and-Ink-Cannot-Remain