Monthly Archive: May 2025

Epistemic Resistance: What U.S. Universities Can Learn from Ukrainian Art

Ukrainian wartime art, marked by resilience to Russia’s neocolonial violence, offers U.S. academia not only insight, but also a method of resisting violence, erasure, and authoritarianism.(All the views expressed in this article are my own.) When, in 2024, I began a series of research-led exhibitions aimed at integrating Ukrainian art practices into the global context, my primary aim was to bring Ukrainian art to U.S. universities to establish a productive interdisciplinary dialogue with academic communities and ensure Ukrainian art’s greater visibility in university-level teaching and research. I hoped to find an appropriate scholarly niche for Ukrainian art history, … Read more

Installation view of a video piece

Art of Peace: Art After War

Art of Peace: Art After War, Art Gallery of Western Australia, Perth, February 1 – June 29, 2025

Arising out of a research project by academic and curator Kit Messham-Muir, the exhibition Art of Peace: Art After War showcases nine artists who respond to their experiences of three former conflicts, in Bosnia and Herzegovina, Rwanda and Timor-Leste.  Its most heartrending works document the memories of war in the minds and lives of those who have witnessed it.

Among these powerful testimonials, two photographic series by Bernardo Soares stand out, bearing witness to the violence of Indonesia’s twenty-four year occupation … Read more

Interview with Luchezar Boyadjiev: Imaginary Monuments and the Public Sphere

Throughout his prolific career, artist Luchezar Boyadjiev has addressed the power dynamics of systems of belief, whether political, religious, or artistic. Long inspired by the public works of Christo and Jeanne-Claude, Boyadjiev explores the social conditions of public space and the urban environment through speculative projects – in the form of photographs, digital collages, temporary installations, performances, and public dialogues – that question traditional symbols of power and serve as counter-monuments to canonical history. On the occasion of the many anniversaries happening this year celebrating some of Christo and Jeanne-Claude’s most iconic projects (The Gates, New York City; … Read more