The following dialogue took place on the occasion of Marrakech Biennale 6: Not New Now/Quoi de neuf là, (February 28-May 8, 2016), curated by Palestinian curator Reem Fadda. After visiting the biennial and attending a curatorial seminar organized by Independent Curators International (ICI), the journal The Exhibitionist staged a discussion with seminar participants María del Carmen Carrión, Mohamed Elshahed, Renaud Proch, Eszter Szakács and ?pek Ulusoy. The conversation below ranges from discussions of contemporary art, craft, archaeology, and postcolonial therapy to politics and aesthetics across the Arab world, and is part of an ongoing collaboration between ICI and The Exhibitionist… Read more
NEW: ARTMargins Print 11:1-2
ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 1-2.
This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert (“The Heresy of Didactic Art”), followed by a section where we offer four new research articles on topics aligned with other editorial priorities.
ARTMargins Print: Vol 11, Iss 1-2
The Heresy of Didactic Art — by Spieker S, Holert T.
14 Jun, 2022
In The Vortex of Institutional Lives — by Krauss A, Thajib F.
13 Jun, 2022
Scenes of Access, Politics of Difference — by Karambeigi P.
12 Jun, 2022
12 Jun, 2022
11 Jun, 2022
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green — by Hornyik S.
10 Jun, 2022
Hidden Green by Miklós Erdély — by Bartholyì E, Orbán K.
9 Jun, 2022
The Notebook — by García D.
8 Jun, 2022
From The Editors — by
7 Jun, 2022
6 Jun, 2022
4 Jun, 2022
Reassessing Moscow Conceptualism: The View from the Nest — by Nicholas MA.
3 Jun, 2022
Photography Against Reproduction: Željko Jerman’s My Year, 1977 — by Rounthwaite A.
2 Jun, 2022
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