Zdenka Badovinac has been the director of the Ljubljana Museum of Modern Art (Moderna galerija) since 1993. She has curated numerous exhibitions presenting both Slovenian and international artists. Badovinac initiated the first collection of Eastern European art, Moderna galerija’s 2000+ Arteast Collection. She has been systematically dealing with the processes of redefining history and with the questions of different avant-garde traditions of contemporary art, first with the exhibition Body and the East – From the 1960s to the Present, staged in 1998 at Moderna galerija, Ljubljana, and traveling to Exit Art, New York in 2001. She continued in … Read more
Monthly Archive: August 2009
Interview with Jarosław Suchan, director of the Art Museum (Museum sztuki) in Lódz (Sven Spieker). Recorded on August 25, 2009 at the museum. Suchan is an art historian, critic and curator. He has been the museum’s director since 2006. Suchan discusses his plans for the future of Museum sztuki, one of Europe’s most important modern art institutions.
MEL JORDAN AND MALCOLM MILES (EDS.), ART AND THEORY AFTER SOCIALISM. BRISTOL, (UK/CHICAGO, USA: INTELLECT BOOKS, 2008). 125 PP.
The cover image for Art and Theory After Socialism—a ramshackle hammer and sickle inscribed with the Russian word restoran (“restaurant”)—informs prospective readers know that the book’s primary focus will be on Eastern Europe. In fact, the essays it contains do touch on various points in the erstwhile Eastern bloc (East Germany, Serbia, Poland, and Armenia). As the book progresses, however, it becomes evident that the post-socialist landscape under consideration is an ideological rather than a geographical one. It is … Read more
Vuk ?osi?: Out Of Character, Threshold artspace, Perth, Scotland. August 1 – November 1, 2009
Perth is a word derived from Old Norse, and is one of the ancient rune symbols, denoting mystery, games of chance, and gambling. Perhaps it was a mix of coincidences that led the Threshold art space to be headed by Sofia-born curator Iliyana Nedkova. After all, what are the chances of a curator from the central Balkans landing in the middle of Scotland? This unusual combination must have appealed to Vuk ?osi?’s sense of play when he agreed to his first-ever solo exhibition in … Read more
ARTMargins continues its series on young galleries in Central and Eastern Europe.
FEINKOST is located in a ‘50s-era glass pavilion on the former border between East and West Berlin. Built in the style of a poor-man’s Neue Nationalegalerie, the building was, until the early Noughties, a Feinkost, or “delicatessen.” In 2007 Mette Ravnkilde Nielsen and I started the gallery. Since that time its program has consisted of solo shows and group exhibitions that investigate the use-value of art in society and culture, taking into consideration the kind of lofty epistemological criteria that have ultimately been lost in the … Read more
Monument to Transformation, City Gallery Prague, Municipal Library, Prague. May 28 – August 30, 2009
The dictionary defines transformation as a “marked change for the better.” Yet the formerly Communist countries of Eastern and Central Europe – including the Czech Republic – still wonder if the transformations that changed the lives of their citizens so fundamentally over the last two decades – walls were torn down, borders opened – really marked a change for the better. We may have come a long way but where are we now? And where are we headed? Most importantly, how do we perceive … Read more
“Forgotten Transports” – Lukas Pribyl Talks With Elisabeth Weber About His Acclaimed Holocaust Documentary
Lukas Pribyl studied at Brandeis University, Hebrew University, and Columbia University, among others. He has published on various aspects of Jewish history and curated exhibitions at the Jewish Museum in Prague. Forgotten Transports – Pribyl’s first film project- is a series of four feature-length documentaries about the remarkable strategies people used to survive during the Holocaust.
Elisabeth Weber: Forgotten Transports to Estonia is one of four feature length documentary films about the fate of fewer than three hundred Czech Jews who survived their deportation to virtually unknown concentration camps and ghettos in four Eastern European countries.
Tens of thousands of … Read more
Vladimir Putin’s election to the Russian presidency in 2000 effectively marked an end to the limited political license that Boris Yeltsin had granted television following the collapse of communism in 1991. Putin rapidly fell out with Yeltsin’s close ally, the oligarch, Boris Berezovskii, who along with other such oligarchs, and in a symbiotic relationship with the Russian state, had effectively owned and controlled national television in the 1990s. Berezovsky had been the largest stakeholder in ORT (Obshchestvennoe Russkoe Televidenie, or Russian Public Television), which, following Berezovsky’s exile to the UK, effectively became the state channel (it was renamed Channel … Read more
ARTMargins is pleased to present a series of new paintings by Dimitri Kozyrev. Kozyrev is interested in the intersection between actual, physical landscape and mental landscapes, coupled with recent world events, led him to reflect on the ruins of war and its impact on the environment. The series is titled Lost Edge.
Dimitri A. Kozyrev
SELECTED SOLO EXHIBITIONS
2009 Lost Edge, Mark Moore … Read more