The Polish born director talks to Natascha Drubek about the symbolic place of the Hospital, about Death as the only portal to spirituality in Western societies; about unconscious Catholicism; windows in art and voyeurism in Code Blue; the cleanliness of Berlin hospitals; the non-existence of female sexuality; and the withholding of permission to use a DVD cover of the film Doctor Zhivago in Code Blue.
Made during the 46th edition of the International Film Festival Karlovy Vary, Czech Republic, in July 2011.
Urszuła Antoniak was born in Czestochowa. She studied film production in Poland and graduated as film director at the Netherlands Film and TV Academy. Her last film, Nothing Personal (Ireland, NL 2009), received several prizes. Antoniak’s film Code Blue (co-produced by von Trier’s Zentropa) caused a stir at the Cannes Film Festival of 2011.
Articles: Mathias Danbolt (Copenhagen) and Sven Spieker (Berlin) present a roundtable on the "critical archive." Karin Zitzewitz (East Lansing) discusses the late work of Tyeb Mehta and K. G. Subramanyan. Jenny Lin on Michelangelo Antonioni's documentary film Chung Kuo / Cina.
In the Document section, we present a previously untranslated, seminal text by artist and writer Ismail Saray (translation and introduction, Duygu Demir). FREE ACCESS.
Artist Project: Rayyane Tabet, Four Encounters With Sculpture. Exclusively produced for ARTMargins. FREE ACCESS.
Francesca dal Lago (Paris) on China and the "Global" Contemporary Art Canon. Contemporary Chinese Art: Primary Documents (New York Museum of Modern Art in 2010). Pamela Karimi on the Iran Modern Exhibition (Asia Society in New York, 2014).
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PRINT: Contemporary art in a global context
Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.
Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.