Irena Knezevic (born Serbia, 1982) is an artist who works in various media, including prints, ceramics, sculpture, video, music, and architecture. Her work often addresses issues related to the political and cultural history of her native Serbia. She was a student organizer who helped organize protests against Slobodan Milosevic’s government before moving to Chicago in 2000, where she studied at Columbia College, the University of Chicago, and the University of Illinois at Chicago (MFA, 2007). Knezevic is currently an assistant professor at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis and researches at the Kemper Art Museum...
In late June 2012, Larissa Babij met with Bjorn Geldhof to talk about his work at the PinchukArtCentre; his views on Ukrainian contemporary artists and the local art audience; and the political implications of artistic practice in the current political climate.
Since he began working at the PinchukArtCentre in 2009, artistic manager and curator Bjorn Geldhof's curatorial intelligence has caught the attention of local artists and viewers. ...
Marge Monko (born 1976) is an artist living and working in Tallinn, Estonia. She studied at the Estonian Academy of Arts (MA in Photography, 2008) and at the University of Applied Arts in Vienna. Monko's main mediums are photography and video. She has examined psychoanalysis and its impact on gender representation in visual culture. Recently she has been focusing on gendered work in the context of paradigmatic changes in labour policies.
Articles: Ros Gray (London) considers two art works made in recent years in Angola: the exhibition Lion & Ox, which featured art works by António Ole and Art Orienté objet, and the installation Icarus 13 by Kiluanji Kia Henda ("A Lingering Lusotopia: Thinking the Planetary from Angola"). María Amalia García writes about past disputes between Argentina and Brazil over hegemony in the region and proposes a new approach to Brazilian cultural intervention in Paraguay ("Hegemonies and Models of Cultural Modernization in South America: The Paraguay-Brazil Case"). Focusing on Artur Barrio, Jacques Coursil, and Damián Ortega, Fernanda Negrete discusses the plastic arts' non-dialectical engagement with materiality ("Chaos-monde and the Aesthetics of Depth in Artur Barrio, Jacques Coursil, and Damián Ortega").
In the Document section, we present a stenogram of an artists' meeting that took place in 1951 in Kishinev (as the capital of today's Republic of Moldova was called in those days). The text discloses some of the major issues and challenges faced by the members of this artist organization during the late Stalinist era. (Introduction: Octavian Esanu)
Two independent outlets, in separate media, of one and the same publication.
ARTMARGINS (print journal)
ARTMargins publishes scholarly articles and essays about contemporary art, politics, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia.