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Interview: Katarina Ševic and Gergely László Print E-mail
Interviews
Written by Frantisek Zachoval   
Wednesday, 12 March 2014 00:00

I met with artists Katarina Ševic and Gergely László at the Ethnological Museum in Berlin to talk about their project House Museum (2006), developed after being able to return to Ševic's summer cottage in Žuljana, a small village on the Pelješac Peninsula (Croatia) after the civil war in ex-Yugoslavia (1991-2001). The ethnic conflicts prohibited Ševic, a Serbian citizen, and her family to enter Croatian territory and, therefore, inhabit the house. Thirteen years later, the artist returned and, working collectively with Gergely László, cleaned and repaired the house, left ravaged by war and occupied in her family's absence. The artists gathered more than 100 objects, employing archeological principles to uncover the past of the house and archive the found objects discovered. The House Museum has been exhibited in the group exhibitions Lost in Transition, CAME, Tallinn (2011); Bunker Design at the Moscow Biennial, Hungarian Cultural Centre, Moscow (2007); and at the Remont Gallery, Belgrade (2007) and the Hungarian University of Fine Arts, Budapest (2006).

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A Way to Follow: Interview with Piotr Piotrowski Print E-mail
Interviews
Written by Richard Kosinsky, Jan Elantkowski, Barbara Dudás (Lublin)   
Monday, 26 January 2015 00:00

Piotr Piotrowski is a professor in the Art History Department of Adam Mickiewicz University, Poznań, and a research fellow at the Graduate School for East and South-East European Studies at the universities of Munich and Regensburg. He is the author of several books, including: Meanings of Modernism (2009, 2011), In the Shadow of Yalta (2009), Art after Politics (2007), Critical Museum (2011), and Art and Democracy in Post-Communist Europe (2012). Between 2009 and 2010, he was the director of the National Museum in Warsaw, and in 2010 he was the recipient of the Igor Zabel Award for Culture and Theory. This interview was occassioned by the recent international conference Piotrowski organized on global art history, East European Art Seen from Global Perspectives: Past and Present, that took place in Lublin, Poland, October 24-27, 2014.(For further information about the program of the conference, the lectures and the speakers, visit: http://www.konferencja.labirynt.com/en.)

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Interview with Moritz Pankok About Ceija Stojka and the Re-Evaluation of Roma Art Print E-mail
Interviews
Written by Written by Árpád Bak (Budapest)   
Sunday, 30 November 2014 00:00

Moritz Pankok is a German scenographer, director, curator and fine artist living in Berlin. A great-nephew of expressionist artist Otto Pankok, who documented Sinti life in late Weimar-era Germany and was labelled a degenerate artist by the Nazis, he is interested in socially engaged art projects. Pankok is the art director of Galerie Kai Dikhas, a private gallery in Berlin dedicated to Roma contemporary art. He was curator of the recent exhibition of work by the Austrian-Romani painter Ceija Stojka, at Gallery8, Budapest, the nonprofit counterpart of Kai Dikhas.(We Were Ashamed, Gallery8, Budapest, Hungary, Aug 2-Oct 10, 2014.,Galerie Kai Dikhas and Gallery8 – Roma Contemporary Art Space are organizationally unrelated institutions, founded and operating independently from each other.) Stojka, who died last year, was a survivor of the concentration camps at Auschwitz, Bergen-Belsen and Ravensbrück. The seventeen works in the exhibition We Were Ashamed represented both groups of works that make up her oeuvre: the "dark cycle," consisting mainly of ink drawings and also some oil paintings that address the traumatic memories of the concentration camps; and the "bright" series, exploring Stojka's prewar childhood in an itinerant horse-trader family.

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New In ARTMargins Print

ARTMargins Print has released its new issue, 3.3. (October 2014)!

ArticlesMathias Danbolt (Copenhagen) and Sven Spieker (Berlin) present a roundtable on the "critical archive." Karin Zitzewitz (East Lansing) discusses the late work of Tyeb Mehta and K. G. Subramanyan. Jenny Lin on Michelangelo Antonioni's documentary film Chung Kuo / Cina.

In the Document section, we present a previously untranslated, seminal text by artist and writer Ismail Saray (translation and introduction, Duygu Demir). FREE ACCESS.

Artist Project: Rayyane Tabet, Four Encounters With Sculpture. Exclusively produced for ARTMargins. FREE ACCESS.

Review Articles: 
Francesca dal Lago (Paris) on China and the "Global" Contemporary Art Canon. Contemporary Chinese Art: Primary Documents (New York Museum of Modern Art in 2010). Pamela Karimi on the Iran Modern Exhibition (Asia Society in New York, 2014). 

Click here for more information at the MIT Press ARTMargins site.

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