Whenever somebody asks me to send in a few photographs of my work I encounter a problem. Sitting in front of the computer, staring at the monitor, I find myself unable to come to a conclusion. Of what do these images speak? Are they testimony to my need to find a compromise between the chaos in my mind and my ability to control it, to know my way around it? What should I write? How can I connect these eleven photographs?
ARTMargins is pleased to present new work by Barbara Kukovec (London/Ljubljana). All the images in the series were taken with self-made cameras, using film or paper treated with a photographic emulsion and printed in the darkroom on different surfaces. Kukovec was born in Slovenia in 1980 and has worked as an actor, dancer, and performer in a diverse range of theater and dance productions.
ARTMargins is pleased to present a series of new paintings by Dimitri Kozyrev. Kozyrev is interested in the intersection between actual, physical landscape and mental landscapes, coupled with recent world events, led him to reflect on the ruins of war and its impact on the environment. The series is titled Lost Edge.
Articles: Mathias Danbolt (Copenhagen) and Sven Spieker (Berlin) present a roundtable on the "critical archive." Karin Zitzewitz (East Lansing) discusses the late work of Tyeb Mehta and K. G. Subramanyan. Jenny Lin on Michelangelo Antonioni's documentary film Chung Kuo / Cina.
In the Document section, we present a previously untranslated, seminal text by artist and writer Ismail Saray (translation and introduction, Duygu Demir). FREE ACCESS.
Artist Project: Rayyane Tabet, Four Encounters With Sculpture. Exclusively produced for ARTMargins. FREE ACCESS.
Francesca dal Lago (Paris) on China and the "Global" Contemporary Art Canon. Contemporary Chinese Art: Primary Documents (New York Museum of Modern Art in 2010). Pamela Karimi on the Iran Modern Exhibition (Asia Society in New York, 2014).
Two independent outlets, in separate media, of one and the same publication.
PRINT: Contemporary art in a global context
Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.
Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.