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Jiří Skála Print E-mail
Artists
Written by Jiří Skála   
Tuesday, 17 January 2012 05:23

Whenever somebody asks me to send in a few photographs of my work I encounter a problem. Sitting in front of the computer, staring at the monitor, I find myself unable to come to a conclusion. Of what do these images speak? Are they testimony to my need to find a compromise between the chaos in my mind and my ability to control it, to know my way around it? What should I write? How can I connect these eleven photographs?

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Barbara Kukovec (Online Gallery) Print E-mail
Artists
Written by Barbara Kukovec (London)   
Thursday, 17 December 2009 13:09
Barbara Kukovec, ‘Three Times Through’, 2009, silver gelatin print on recycled computer hardware, 39 x 39cm. Image courtesy of the artist.ARTMargins is pleased to present new work by Barbara Kukovec (London/Ljubljana). All the images in the series were taken with self-made cameras, using film or paper treated with a photographic emulsion and printed in the darkroom on different surfaces. Kukovec was born in Slovenia in 1980 and has worked as an actor, dancer, and performer in a diverse range of theater and dance productions. 
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Dimitri Kozyrev (Online Gallery) Print E-mail
Artists
Sunday, 09 August 2009 20:44

Dimitri Kozyrev, 'Lost Edge 23', acrylic on canvas, 60 X 72 in, 2008. Image courtesy of the author.ARTMargins is pleased to present a series of new paintings by Dimitri Kozyrev. Kozyrev is interested in the intersection between actual, physical landscape and mental landscapes, coupled with recent world events, led him to reflect on the ruins of war and its impact on the environment.  The series is titled Lost Edge.

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New In ARTMargins Print

ARTMargins Print has released its new issue, 4.1. (February 2015)!

ArticlesLuis Castañeda (Syracuse) on conflicting racial, archaeological and art historical interpretations of Olmec art produced in the United States in the early 1960s. Chelsea Foxwell (Chicago) reconsiders the uses of nihonga in contemporary Japanese art.

In the Document section, we present a previously untranslated section from S.R. Choucair's seminal text "How the Arab Understood Visual Art," a quasi-manifesto for modernist art in the Arab world (introduction and translation, Kirsten Scheid). FREE ACCESS.

Artist ProjectMarwa Arsanios (Beirut): Olga's Notes: This Whole New World. FREE ACCESS.

Review Articles: Ezra Akcan (Ithaca/NY), "Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi." 

Click here for more information at the MIT Press ARTMargins site.

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Two independent outlets, in separate media, of one and the same publication.

LOGO: ARTMargins Print

PRINT: Contemporary art in a global context

Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.

LOGO: ARTMargins Online

ONLINE: Central and Eastern Europe

Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.

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