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We have received the following books for review. For more information, or to propose a review, please email the Review Editor.

Rosalind P. Blakesley / S.E. Reid, Russian Art and the West (Northern Illinois UP, 2007) 

Nancy Condee, The Imperial Trace. Recent Russian Cinema (Oxford UP, 2009)

Alla Rosenfeld / N. T. Dodge (eds.), Art Baltics. The Struggle for Freedom of Artistic Expression Under the Soviets, 1945-1991  (Rutgers UP, 2001) 

James Westcott. When Marina Abramović Dies (MIT Press, 2010)

Sheila Skaff, The Law of the Looking Glass. Cinema in Poland 1896-1939 (Ohio University Press, 2008)

Gender Check exhib. cat.

Günter Adge/A.Schwarz (ed.), Die rote Traumfabrik. Meschrabpom-Film und Prometheus. 1921-1936 (Berlin: Deutsche Kinemathek, 2012)

Zofia Ban / Hedvig Turaj (ed.), Exposed Memories. Family Pictures in Private and Collective Memory (Budapest: CE Press, 2010)

Djurdja Bartlett, Fashion East: The Spectre that Haunted Socialism (Cambridge: MIT Press, 2010)

Boris Groys, History Becomes Form (Cambridge: MIT Press, 2010)

Marc James Leger, Brave New Avant Garde. Essays on Contemporary Art and Politics (Winchester/UK: Zero, 2012)

Sanja Ivekovic, Practice Makes the Master ( Muzeum sztuki, 2009)

M. Jesse Jackson, The Experimental Group. Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes (Chicago: U of Chicago Press, 2010)

Mari Laanemets, Zwischen westlicher Moderne und sowjetischer Avantgarde. Inoffizielle Kunst in Estland 1969-1978 (Berlin: Gebr. Mann, 2011)

Peter McCarthy, Writing Diaspora in the West (London: Palgrave, 2009)

Bojana Pejic, Gender Check: Reader (Köln: Walther König, 2010)

N. Skakov / A. Sabitov (ed.), 14 Essays Inspired by the Sculptures of Erkin Mergenov (Stuttgart: Ibidem, 2010)

Alise Tifentale, The Photograph as Art in Lithuania (Riga: Neputns, 2011)

C. Vatulescu, Police Aesthetics. Literature, Film, and the Secret Police in Soviet Times (Stanford: Stanford UP, 2010)

The Georgraphies of Art History in the Baltic Region. Special Issue of Kunstiteaduslikke Uurimusi / Studies on Art and Architecture 2010, kd 19/3-3

Last Updated on Sunday, 27 May 2012 00:33

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New In ARTMargins Print

ARTMargins Print has released its new issue, 4.1. (February 2015)!

ArticlesLuis Castañeda (Syracuse) on conflicting racial, archaeological and art historical interpretations of Olmec art produced in the United States in the early 1960s. Chelsea Foxwell (Chicago) reconsiders the uses of nihonga in contemporary Japanese art.

In the Document section, we present a previously untranslated section from S.R. Choucair's seminal text "How the Arab Understood Visual Art," a quasi-manifesto for modernist art in the Arab world (introduction and translation, Kirsten Scheid). FREE ACCESS.

Artist ProjectMarwa Arsanios (Beirut): Olga's Notes: This Whole New World. FREE ACCESS.

Review Articles: Ezra Akcan (Ithaca/NY), "Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi." 

Click here for more information at the MIT Press ARTMargins site.

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Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.

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Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.