Zsófia Bán and Hedvig Turai, eds., “Exposed Memories: Family Pictures in Private and Collective Memory” (Book Review) Print E-mail
Book Reviews
Written by Katherine Hill Reischl (Princeton)   
Wednesday, 17 September 2014 00:00

Roland Barthes's first reflections in Camera Lucida are propelled by the pleasure of viewing the photographic image. At the end of his survey of a wide photographic landscape, Barthes comes to realize his failing as an "imperfect mediator" whose investigation of photography led only to a clearer understanding of his own desire, and not "the nature (the eidos) of Photography" (Barthes, 60). Perhaps paradoxically, Barthes's turn to the "universal" in the latter half of Camera Lucida, to the ontology of the photograph, is founded on a more personal and intimate journey: the narrative exploration of the precious family photograph of his departed mother.

Read more...
 
György Galántai and Júlia Klaniczay, eds., “Artpool: The Experimental Art Archive of East-Central Europe” (Book Review) Print E-mail
Book Reviews
Written by Éva Forgács (Los Angeles)   
Monday, 02 June 2014 00:00

Artpool's first rubber stamp, 1979. Image courtesy of Artpool Art Research Center.The importance of this long overdue autobiographical volume by Artpool, the Budapest "Experimental Art Archive of East-Central Europe" is hard to overestimate. Archivists György Galántai and Júlia Klaniczay, who double as the book's authors and editors, account for both a Hungarian and widely international presence in and around Artpool's orbit. Art historian Kristine Stiles strikes a personal and professional chord in her pithy and highly appreciative Introduction, rightly calling the book "a milestone in the history of art for its documentation of a remarkable period," and points out that Artpool is both an artwork and an archive (p. 8).

Read more...
 
Djurdja Bartlett, “Fashion East: The Spectre that Haunted Socialism” Print E-mail
Book Reviews
Written by Malynne Sternstein (Chicago)   
Tuesday, 28 May 2013 00:00

Impressive in its scope, beautifully illustrated, and admirable for its depth and breadth of archival research, Djurdja Bartlett's sumptuous book Fashion East: The Spectre that Haunted Socialism does not in any way disappoint the reader looking for a survey of sartorial history in the Soviet Communist bloc. Bartlett does a magisterial job in traversing the cultural space of Soviet fashion from the 1920s "avant-garde" to the late Soviet era.

Read more...
 
«StartPrev1234567NextEnd»

Page 1 of 7
AddThis Social Bookmark Button

New In ARTMargins Print

ARTMargins Print has released its new issue, 3.2. (June 2014)!

ArticlesJoan Kee (Ann Arbor) considers the problem of scale in contemporary art practice. Carla Macchiavello (Bogotá) discusses the problem of influence in Latin American art during the 1970s and 1980s. Ruben and Maja Fowkes (Budapest) examine East European artists' approaches to the natural environment during the 1970s and beyond.

In the Document section, we present two pre-revolution Iranian manifestos of modern art (introduction/translation: Bavand Behpoor).

Artist ProjectShady El Noshokaty (Cairo), Rat Diaries, a series of drawings that attempts to map the intensity of everyday life in Egypt intertwined with intuitive visual and verbal comments on art practice.

Review Article: Monica Amor (Baltimore) discusses the exhibition Cold America: Geometric Abstraction in Latin America (1934-1973) and Alejandro Crispiani's book Objetos para transformar el mundo: Trayectorias del arte concreto-invención, Argentina y Chile, 1940-1970 [Objects to Transform the World: Trajectories of Concrete-Invention Art, Argentina and Chile, 1940-1970]. 

Click here for more information at the MIT Press ARTMargins site.

Read more
 

Search ARTMargins

Newsletter Signup


Two independent outlets, in separate media, of one and the same publication.

LOGO: ARTMargins Print

ARTMARGINS (print journal)

ARTMargins publishes scholarly articles and essays about contemporary art, politics, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia.

LOGO: ARTMargins Online

ARTMargins ONLINE

Founded in 1999, ARTMargins Online publishes material devoted to contemporary art, with a special focus on East-Central Europe.

No more suffering as you can now Buy Zovirax