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  • Boris Groys: The Logic of Collecting

    Interviews
    S. S.: In your reviews and critical essays, the mechanisms of art collection and their respective institutions, such as the museum and the archive, play a central role. In this conversation, I would like to focus on these concepts, but also on the related...
  • The Metropolitan Museum of Cherkashin (Online Gallery)

    Artists
    Valery and Natasha Cherkashin have been working with the imperial cultures of the USSR, Germany, the United States and Great Britain for more than 15 years. In 1992, the Cherkashins developed a conceptual art museum, the "Metropolitan Museum of Cherk...
  • The Art of Tamás Waliczky

    Articles
    Tamás Waliczky is among the few artists who have been working with and thinking about the computer for many years, long before it became fashionable, and this depth of involvement can be clearly seen in his works. ...
  • Two Recent Hungarian Films

    Film & Screen Media
    Tükrözõdések is an ambitious and complex experimental film by Istvan Darday and Gyorgyi Szalai. A dense pictorial compilation of the oblique memories and imageries from a dying scientist's (Teo Fabricius) life. ...
  • Behind the Screen: the New Russian Media

    Articles
    Should we be surprised that as the new computer-based media expand throughout the world, intellectual horizons and aesthetic possibilities seem to be narrowing? If one scans Internet-based discussion groups and journals from London to Budapest, New York t...
  • Idea Against Materia: On the Consumption of Post-Soviet Art

    Articles
    No matter how much it wanted to escape into the sanctuary of beauty, art had to serve in the war between communism and capitalism. Both in the former Soviet Union and in the West, the rhetoric of art criticism was laced with ideological animosity....
  • The Quest for Freedom. Moscow Artists of the 1950's - 1970's.

    Exhibition Reviews
    During the years following Stalin's death, freedom in the Soviet Union first of all meant personal and political freedom. Artistic freedom from the norms of Socialist Realism, however, was more than a side issue, as many artists were to find out in 1974, ...
  • Dmitry Prigov: Pulsierendes Schwarz

    Articles
    Dmitry Prigov is one Moscow Conceptualist artist who has succeeded in creating an artistic universe of his own, or rather, an artistic all-encompassing mythology. His output alone is monstrous: He has already completed 20,000 poems and is planning to reac...
  • Haralampi Oroschakoff (Online Gallery)

    Artists
    The paintings shown in this issue of ARTISTVIEW were to be seen in the solo exhibition "Etre la au bord du Monde: Voyageurs et Orientalistes, 1988 -1999" at the Musee d'Art moderne et contemporain in Geneva/Switzerland in 1999. The were subseque...
  • Mixed Review: Dmitri Prigov, 'Bridge'

    Exhibition Reviews
    This open-air gallery at the site of the former home of German artist Kaethe Kollwitz regularly shows new works by various artists. It is a dynamic medium commemorating Kaethe Kollwitz's deep social and human concern that made her one of Germany's foremos...
  • Ilya Kabakov and the Corridor of Two Banalities

    Interviews
    Ilya Kabakov: Concerning the residents of communal apartments, the personages and documents in the installation "The Corridor of Two Banalities"... The documents in the installation are absolutely authentic....
  • Poetry as Nakedness

    Articles
    The first International "Festival of Naked Poetry" took place in August last year at the London Institute of Contemporary Art. What is behind this project with its (seemingly) metaphorical title? Is poetry nakedness? Or, can nakedness be poetica...
  • The Thing from Inner Space

    Articles
    Jacques Lacan defines art itself with regard to the Thing: in his Seminar on the Ethics of Psychoanalysis, he claims that art as such is always organized around the central Void of the impossible-real Thing - a statement which, perhaps, should be read as ...
  • This is Not a Book: Komar and Melamid's 'Painting by Numbers: Komar and Melamid's Scientific Guide to Art'

    Book Reviews
    There should be a warning on the cover of Vitaly Komar and Alexander Melamid's Painting by Numbers: The Scientific Guide to Art: "This is not a book." From the opening page, offering "America's Most Wanted" painting ("dishwasher-size," as preferred by 67%...
  • Beata Wehr (Online Gallery)

    Artists
    In my mixed media books I focus on issues related to my experience as a Pole living in the U.S. I came here 13 years ago with no intention to stay, but I am still here. Since my connection with Poland is very strong, I feel I am in between the two culture...
  • Ilya Kabakov: Drawings

    Exhibition Reviews
    This is not an ordinary Kabakov exhibition. Since his emigration from Russia in 1988, Ilya Kabakov has been known mainly for his "total" installations, in which he creates little parallel universes that possess their own artistic logic, or rather, stage t...
  • 'Cryptogram' and 'Demedusator': Zoltán Szegedy-Maszák

    Articles
    In Hungary, there are more and more visual artists dealing with the new media, even though there are not many institutions where they could either educate themselves or present their media art work. ...
  • 'Image Engine': Róza El-Hassan's Latest

    Articles
    Róza El-Hassan is one of the great hopes among the younger generation of Hungarian artists. Since 1990 she has continuously participated in international exhibitions. ...
  • Russian Architecture: Between Anorexia and Bulimia

    Articles
    The Russian visual sensibilities (if there is such a thing) are formed by two contrasting influences. On the one hand, there is a natural attraction to decorative surfaces, to richness of colors and shapes. ...
  • Karl Gernot Kuehn: 'Caught. The Art of Photography in the German Democratic Republic'

    Book Reviews
    The title of this extensive documentation of 45 years of GDR-photography by Karl Gernot Kuehn (Caught) already refers to the two principal intentions of this book: to present a detailed analysis of how political pressure and constraint shaped photography ...
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New In ARTMargins Print

ARTMargins Print has released its new issue, 3.2. (June 2014)!

ArticlesJoan Kee (Ann Arbor) considers the problem of scale in contemporary art practice. Carla Macchiavello (Bogotá) discusses the problem of influence in Latin American art during the 1970s and 1980s. Ruben and Maja Fowkes (Budapest) examine East European artists' approaches to the natural environment during the 1970s and beyond.

In the Document section, we present two pre-revolution Iranian manifestos of modern art (introduction/translation: Bavand Behpoor).

Artist ProjectShady El Noshokaty (Cairo), Rat Diaries, a series of drawings that attempts to map the intensity of everyday life in Egypt intertwined with intuitive visual and verbal comments on art practice.

Review Article: Monica Amor (Baltimore) discusses the exhibition Cold America: Geometric Abstraction in Latin America (1934-1973) and Alejandro Crispiani's book Objetos para transformar el mundo: Trayectorias del arte concreto-invención, Argentina y Chile, 1940-1970 [Objects to Transform the World: Trajectories of Concrete-Invention Art, Argentina and Chile, 1940-1970]. 

Click here for more information at the MIT Press ARTMargins site.

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Two independent outlets, in separate media, of one and the same publication.

LOGO: ARTMargins Print

PRINT: Contemporary art in a global context

Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.

LOGO: ARTMargins Online

ONLINE: Central and Eastern Europe

Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.