ARTMargins Online

ARTMargins Print has released its new issue, 6.2. (June 2017)!

Articles: From the Editors (free access); Noelle Belanger and Anna Westerstahl Stenport, The Politics of Color in the Arctic Landscape: Blackness at the Center of Frederic Edwin Church's Aurora Borealis and the Legacy of 19th-Century Limits of Representation; Paloma Duong, Homebound: The Art of Public Space in Contemporary Cuba; Niko Vicario, Oscar Bony's La Familia Obrera: The Labor and the Work.

Review: Arnaldo Manuel Cruz-Malavé, Memorialization and Presence: Capturing the Legacies of the Young Lords in New York.

Artist Project: Kristina Benjocki, The Regime of the Visible (free access)

Two independent outlets, in separate media, of one and the same publication.

PRINT: Contemporary art in a global context

Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.

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ONLINE: Central and Eastern Europe

Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.

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