ARTMargins has outlets in two media, each with separate content:
ARTMargins print journal:
ARTMargins [print] is a triquarterly print journal devoted to contemporary art in a global context. ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history and its methodologies. For more information go to: http://www.mitpressjournals.org/loi/artm.
Articles: Mathias Danbolt (Copenhagen) and Sven Spieker (Berlin) present a roundtable on the "critical archive." Karin Zitzewitz (East Lansing) discusses the late work of Tyeb Mehta and K. G. Subramanyan. Jenny Lin on Michelangelo Antonioni's documentary film Chung Kuo / Cina.
In the Document section, we present a previously untranslated, seminal text by artist and writer Ismail Saray (translation and introduction, Duygu Demir). FREE ACCESS.
Artist Project: Rayyane Tabet, Four Encounters With Sculpture. Exclusively produced for ARTMargins. FREE ACCESS.
Francesca dal Lago (Paris) on China and the "Global" Contemporary Art Canon. Contemporary Chinese Art: Primary Documents (New York Museum of Modern Art in 2010). Pamela Karimi on the Iran Modern Exhibition (Asia Society in New York, 2014).
Two independent outlets, in separate media, of one and the same publication.
PRINT: Contemporary art in a global context
Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.
Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.