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Sunday, 18 May 2008 07:03

Editors: Sven Spieker (Los Angeles; exec. ed. ARTMargins [print]); Susan Snodgrass (Chicago); Anthony Gardner (Oxford; ed. ARTMargins [print])

ART DIRECTION & IT SUPPORT: Russ Coon (Los Angeles)

Technical DIRECTOR: Kate E. Edwards (San Luis Obispo)

FORMER INTERNS: Melissa Ghafarian (technical), Margaret Drew (editorial), Nathan Bays (editorial), Mark Cheng (technical), Lisa Wetzmueller (editorial), Mark Hawkins (technical), Idoh Gersten (technical), Lisa Blanco (editorial), Shelly Choi (technical), Thomas Chun (technical), Daniel Novak (editorial), Melissa Amy Kerl (editorial), Anahi C. Santillam (editorial), Katie Reynolds (editorial), Tricia Aoki (editorial), Jean Cihigoyenetche (editorial), Julia Gibson (editorial), Alissa Koller (editorial), Brandy N. Deminna (editorial), Luke Fidler (editorial, Reed College), Rosemary McGuiness (editorial), Laura Boyd (editorial), Julia Spohn (editorial), Nevada Ryan (editorial), Katherine Brown (editorial), Stephanie Telavera (editorial), Jessica Draven (editorial), Arabella Alamed (editorial), Alyssa Creaser (editorial)

former SENIOR EDITORIAL ASSISTANTS: Eli Evans, Rosie McGuiness, Maria Corrigan, Ana Mitrovici

FORMER managing editors: Jeen Yu, David Vazquez, Sarah Gerend, Rebecca Mitchell, Elisabeth Swanstrom, Inna Stepanenko, Devin Fromm, Maria Corrigan, Irina Vladi L. Wender, Matt Abrams (book editor), Eli Evans (book editor)

Former it directors: Valorie Smith

 

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New In ARTMargins Print

ARTMargins Print has released its new issue, 4.1. (February 2015)!

ArticlesLuis Castañeda (Syracuse) on conflicting racial, archaeological and art historical interpretations of Olmec art produced in the United States in the early 1960s. Chelsea Foxwell (Chicago) reconsiders the uses of nihonga in contemporary Japanese art.

In the Document section, we present a previously untranslated section from S.R. Choucair's seminal text "How the Arab Understood Visual Art," a quasi-manifesto for modernist art in the Arab world (introduction and translation, Kirsten Scheid). FREE ACCESS.

Artist ProjectMarwa Arsanios (Beirut): Olga's Notes: This Whole New World. FREE ACCESS.

Review Articles: Ezra Akcan (Ithaca/NY), "Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi." 

Click here for more information at the MIT Press ARTMargins site.

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Two independent outlets, in separate media, of one and the same publication.

LOGO: ARTMargins Print

PRINT: Contemporary art in a global context

Published triquarterly by the MIT Press, ARTMargins provides a forum for the discussion of postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history.

LOGO: ARTMargins Online

ONLINE: Central and Eastern Europe

Founded in 1999, ARTMargins Online publishes articles, interviews, essays, and reviews devoted to contemporary art. Unlike ARTMargins (print), ARTMargins Online has traditionally had a regional focus, central and Eastern Europe.

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