ARTMargins Home 3 Exhibitions

Report on the Construction of a Spaceship Module and Paweł Althamer: The Neighbors at The New Museum, New York Print E-mail
Written by Ksenia Nouril (New York)   
Tuesday, 15 April 2014 00:00

Report on the Construction of a Spaceship Module, 2014. Exhibition View: New Museum, New York. Image courtesy of the New Museum. Photo by Jesse Untracht-Oakner.Two exhibitions of Central and Eastern European art were recently on view at the New Museum in New York. The first, Report on the Construction of a Spaceship Module, was part of the Museum as Hub series, a New Museum initiative supporting exhibitions, residencies, and public programs focused on promoting international contemporary art. It was guest curated for the New Museum by a multinational team from tranzit.org, including Vít Havránek, Dóra Hegyi, and Georg Schöllhammer, the three directors of the tranzit organizations in Prague, Budapest, and Vienna, respectively.(There is no catalogue for this exhibition; however, a newspaper with new and reprinted texts as well as an extensive bibliography was published. A copy of it can be found here: http://235bowery.s3.amazonaws.com/exhibitionlinks/103/Tranzit_FINAL_small.pdf) The second, Paweł Althamer: The Neighbors, was the largest survey of the Polish artist's work to date and his first solo exhibition in the United States. Massimiliano Gioni, Associate Director and Director of Exhibitions, and Gary Carrion-Murayari, Curator, organized the exhibition, which was accompanied by a fully illustrated catalogue with new essays and an interview.(Massimiliano Gioni and Gary Carrion-Murayari, eds., Paweł Althamer: The Neighbors (New York: Skira Rizzoli Publications, Inc., 2014).) Together, these exhibitions filled four out of the five floors in the museum, which in 2011 presented Ostalgia, a group exhibition of Soviet and post-Soviet art from the former Eastern Bloc that was as productive as it was problematic. These recent exhibitions attest to the New Museum's continued interest in the region.

 
More Articles...
AddThis Social Bookmark Button

New In ARTMargins Print

ARTMargins Print  has released its new issue, 3.1. (February 2014)!

ArticlesRos Gray (London) considers two art works made in recent years in Angola: the exhibition Lion & Ox, which featured art works by António Ole and Art Orienté objet, and the installation Icarus 13 by Kiluanji Kia Henda ("A Lingering Lusotopia: Thinking the Planetary from Angola"). María Amalia García writes about past disputes between Argentina and Brazil over hegemony in the region and proposes a new approach to Brazilian cultural intervention in Paraguay ("Hegemonies and Models of Cultural Modernization in South America: The Paraguay-Brazil Case"). Focusing on Artur Barrio, Jacques Coursil, and Damián Ortega, Fernanda Negrete discusses the plastic arts' non-dialectical engagement with materiality ("Chaos-monde and the Aesthetics of Depth in Artur Barrio, Jacques Coursil, and Damián Ortega").

In the Document section, we present a stenogram of an artists' meeting that took place in 1951 in Kishinev (as the capital of today's Republic of Moldova was called in those days). The text discloses some of the major issues and challenges faced by the members of this artist organization during the late Stalinist era. (Introduction: Octavian Esanu)

Artist ProjectAzin Feizabadi, "Chronicles from Majnun until Layla."

Review Article: Huw Hallam, "Confronting Globalization." This article reviews Pamela M. Lee's Forgetting the Art World (2012) and TJ Demos's Return to the Postcolony (2013). 

Click here for more information at the MIT Press ARTMargins site.

Read more
 

Letters

Letter to the editor regarding Professor Caroline A. Jones's article "Anthropophagy in São Paulo's Cold War", published in ARTMargins,  2:1 and the author's response.

Read more
 

Search ARTMargins

Newsletter Signup


Two independent outlets, in separate media, of one and the same publication.

LOGO: ARTMargins Print

ARTMARGINS (print journal)

ARTMargins publishes scholarly articles and essays about contemporary art, politics, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia.

LOGO: ARTMargins Online

ARTMargins ONLINE

Founded in 1999, ARTMargins Online publishes material devoted to contemporary art, with a special focus on East-Central Europe.