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Report on the Construction of a Spaceship Module and Paweł Althamer: The Neighbors at The New Museum, New York Print E-mail
Written by Ksenia Nouril (New York)   
Tuesday, 15 April 2014 00:00

Report on the Construction of a Spaceship Module, 2014. Exhibition View: New Museum, New York. Image courtesy of the New Museum. Photo by Jesse Untracht-Oakner.Two exhibitions of Central and Eastern European art were recently on view at the New Museum in New York. The first, Report on the Construction of a Spaceship Module, was part of the Museum as Hub series, a New Museum initiative supporting exhibitions, residencies, and public programs focused on promoting international contemporary art. It was guest curated for the New Museum by a multinational team from tranzit.org, including Vít Havránek, Dóra Hegyi, and Georg Schöllhammer, the three directors of the tranzit organizations in Prague, Budapest, and Vienna, respectively.(There is no catalogue for this exhibition; however, a newspaper with new and reprinted texts as well as an extensive bibliography was published. A copy of it can be found here: http://235bowery.s3.amazonaws.com/exhibitionlinks/103/Tranzit_FINAL_small.pdf) The second, Paweł Althamer: The Neighbors, was the largest survey of the Polish artist's work to date and his first solo exhibition in the United States. Massimiliano Gioni, Associate Director and Director of Exhibitions, and Gary Carrion-Murayari, Curator, organized the exhibition, which was accompanied by a fully illustrated catalogue with new essays and an interview.(Massimiliano Gioni and Gary Carrion-Murayari, eds., Paweł Althamer: The Neighbors (New York: Skira Rizzoli Publications, Inc., 2014).) Together, these exhibitions filled four out of the five floors in the museum, which in 2011 presented Ostalgia, a group exhibition of Soviet and post-Soviet art from the former Eastern Bloc that was as productive as it was problematic. These recent exhibitions attest to the New Museum's continued interest in the region.

 
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New In ARTMargins Print

ARTMargins Print has released its new issue, 3.2. (June 2014)!

ArticlesJoan Kee (Ann Arbor) considers the problem of scale in contemporary art practice. Carla Macchiavello (Bogotá) discusses the problem of influence in Latin American art during the 1970s and 1980s. Ruben and Maja Fowkes (Budapest) examine East European artists' approaches to the natural environment during the 1970s and beyond.

In the Document section, we present two pre-revolution Iranian manifestos of modern art (introduction/translation: Bavand Behpoor).

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Review Article: Monica Amor (Baltimore) discusses the exhibition Cold America: Geometric Abstraction in Latin America (1934-1973) and Alejandro Crispiani's book Objetos para transformar el mundo: Trayectorias del arte concreto-invención, Argentina y Chile, 1940-1970 [Objects to Transform the World: Trajectories of Concrete-Invention Art, Argentina and Chile, 1940-1970]. 

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