When viewers entered the gallery where the exhibition of Monika Zawadzki was installed they were confronted by a tent and fireplace, both of them easily associated with the living areas of the first societies. In this way Zawadzki, whose work was also presented in the exhibition The Biggest Delight is To Avoid Contact with Society, in Warsaw (2006), creates a situation that refers to the rituals of community creation.
ARTMargins Print has released its third issue, 2:1 (February 2013): Caroline Jones considers the history of the Sao Paolo Biennial; ARTMargins interviews members of the Stuckist group, a globe-spanning collective engaged in a spirited rearguard defense of painting; and Pedro Erber looks at the discovery of "matter" in postwar Japanese painting.
3 Exhibitions
When viewers entered the gallery where the exhibition of Monika Zawadzki was installed they were confronted by a tent and fireplace, both of them easily associated with the living areas of the first societies. In this way Zawadzki, whose work was also presented in the exhibition The Biggest Delight is To Avoid Contact with Society, in Warsaw (2006), creates a situation that refers to the rituals of community creation.